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Charlotte Perkins Gilman - With Additional Context

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Charlotte Perkins Gilman Full Blog - With Additional Context Charlotte Perkins Gilman was one of the very first feminist authors in literature. She wrote both fiction and non-fiction literature, in the form of prose and poetry, making them authentically representative of the era she was writing in. Gilman’s work specifically targets the hardships and injustice of women in the nineteenth century and the turn of the twentieth century. These concepts can be highly identified in her most famous short story,  The Yellow Wallpaper  (1892), which is thought to have great relevance to Gilman’s personal experiences in her own marriage, with her mental health being suppressed and ridiculed by her first husband (Gilman and Golden, 2004). In this novel, Gilman depicts the concept of patriarchal marriage, in which the impertinent superiority of the husband, drove the narrator to madness through neglect and imprisonment. This depiction of imprisonment, though far more explicit in this novel,
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Charlotte Perkins Gilman - LV 4 Assignment

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Charlotte Perkins Gilman Poetry Assignment Charlotte Perkins Gilman was one of the very first feminist authors in literature. She wrote both fiction and non-fiction literature, in the form of prose and poetry, authentically representative of the era she was writing in. Gilman’s work specifically targets the hardships and injustice of women in the nineteenth century and the turn of the twentieth century. These concepts can be highly identified in her most famous short story,  The Yellow Wallpaper  (1892), which is thought to have great relevance to Gilman’s personal experiences with her mental health being suppressed and ridiculed by her first husband (Gilman and Golden, 2004). In this novel, Gilman depicts the concept of patriarchal marriage, in which the impertinent superiority of the husband drove the narrator to madness through neglect and imprisonment (Kessler, 1995). This depiction of imprisonment, though far more explicit in this novel, can be likened to that inferred by G
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Ozymandias - By Percy Bysshe Shelley

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Ozymandias   By Percy Bysshe Shelley I met a traveller from an antique land,  Who said – “Two vast and trunkless legs of stone Stand in the desert… Near them, on the sand, Half sunk a shattered visage lies, whose frown, And wrinkled lip, and sneer of cold command, Tell that its sculptor well those passions read Which yet survive, stamped on these lifeless things, The hand that mocked them, and the heart that fed; And on the pedestal, these words appear;  My name is Ozymandias, King of Kings;  Look on my Works, ye Might, and despair! Nothing beside remains. Round the decay Of that colossal Wreck, boundless and bare The lone and level sands stretch far away.” [1] Anderson, M. (2019).  Ozymandias . [image]. The above shows a painting by Mitry Anderson of the poem 'Ozymandias'. This is a hugely interesting sonnet, with many different aspects and concepts to be explored. The poem speaks of the traveller, whom the information about the
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